Dubai Frame of Mind

Dubai in February is the rare kind of sensible. The light is bright but not aggressive, and the evenings arrive with a soft breeze; you can walk outside without feeling like you have been personally introduced to a hairdryer. We landed with that familiar mix of jet lag and optimism, the kind that makes even airport coffee taste like a life choice.

We checked into Grosvenor House again, which felt less like returning to a hotel and more like slipping back into a well-cut jacket. The lobby has that quiet confidence Dubai does so well, polished stone, calm smiles, a soundtrack that never rushes you. From our room, the Marina looked like a showroom for boats and ambition, all glassy water and towers that seemed to have been drawn with a ruler.

Dubai: Expo 2020

The next day, we did what almost everyone in Dubai does: we went to Expo 2020 Dubai, which was still buzzing in early 2022, like a city within a city. If you have not been, imagine a world’s fair designed by people who dislike queues and love spectacle, then add a layer of genuine curiosity. You walk through districts with names like Sustainability and Mobility, and every few minutes you catch yourself saying, out loud, “Wait, what is that?”

One minute, you are in front of a jungle of vertical greenery and bold lettering announcing Singapore, all cool shade and dense plants, a little pocket of humidity in the desert. The next minute, a small futuristic pod rolls past like an orange jellybean with a mission, looking politely unstoppable as it glides through the crowds. Some pavilions felt like art galleries, others like science labs, and some that leaned into joy. At one point, we stood under a huge glowing “brain” installation, a constellation of blue light that made everyone around us slow down, look up, and briefly pretend we were not all thinking about dinner.

Expo also had that particular Dubai talent for making the practical feel theatrical. The broad avenues, the orderly flow of people, the sense that someone, somewhere, has already anticipated your next need. It was busy, but not chaotic. It felt choreographed, in the nicest possible way.

Dubai Frame

Dubai itself has always been good at big gestures, so it was only right that we followed Expo with the Dubai Frame. It is precisely what it sounds like, a monumental rectangle that politely challenges the skyline to a staring contest. From below, it looks almost unreal, like someone left a giant golden bookmark in the middle of the city. From the top, Dubai arranges itself into two stories at once. On one side, the older neighbourhoods and the creek, on the other, the newer city, rising and stretching toward the desert. The glass floor adds a little drama, the kind that makes you laugh while your feet decide whether they trust you.

We also stole time for smaller pleasures, including a wander through Madinat Jumeirah, where the water runs quietly between honey-coloured buildings, and palm trees throw their shadows like lace. It is a place designed for strolling, for pausing, for taking the long way to nowhere in particular. Dubai can be intensely modern, but it also knows how to build calm.

And because Dubai does not believe in half measures, we ended up high above the city in a glass capsule, suspended over the coastline with the towers of the Marina clustered below. From up there, the sea looks impossibly blue, the roads look like careful calligraphy, and the city feels both enormous and oddly precise, as if it has been arranged for the pleasure of being seen.

Celebrating!

My birthday arrived in the middle of all this, which felt slightly unfair to other birthdays. We celebrated at Buddha-Bar with friends who have moved to Dubai, the kind of friends who make a new city feel instantly familiar. There was music, low light, and conversation that wandered between “So how is life here, really?” and “Remember when we all thought we would be sensible adults?” The room had that warm, glamorous hum that makes you linger over a drink and promise yourself you will not check the time. It was one of those evenings where the place matters, but the people matter more, and you leave feeling full in every sense.

Those who keep track: yes, it was my second birthday I celebrated in the UAE.

Dubai can sometimes be described as shiny, and it is, unapologetically. But this trip reminded me that it is also surprisingly human. It is a city built on movement, arrivals, reinvention, and the quiet confidence of people who have decided to start again somewhere sunny.

Author

  • Koen Blanquart

    Koen Blanquart is a Belgian sailor, traveler, and writer based in Antwerp. He has lived and worked across the US, Central America, and Europe, and still moves around more than is strictly necessary. When not on land, he can be found aboard S/V Bagabonda, his 14m Amel Santorin. He writes about the places he goes, the people he meets, and what happens when you pay attention. His professional work lives at koenblanquart.com.

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